No. 305
Posted on June 10, 2024

150th Anniversary Project
"Aogaku Mind Opening Up the Future"

By "communicating"
A positive change in your mind

| Alumni and Graduates |

Fuji Television Announcer
Seika Inoue

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Aoyama Gakuin Junior High School
Riko Miyamoto/Mirai Yoshida

This year, Aoyama celebrates its 150th anniversary. Many graduates have graduated from the school and honed their skills and individuality to carve out careers in a wide range of fields. This time, we interviewed Inoue Seika, who is active as the "morning face" of Fuji Television's information program, with Miyamoto Riko and Yoshida Miku, students of Aoyama Gakuin Junior High School who are interested in "communication." We asked her about the mindset and work techniques she needs to have when speaking as an announcer, and the appeal of Aogaku Gakuin.
(*As of March 2024 at the time of the interview)

Profile

Fuji Television Announcer

Seika Inoue

2018 Graduated from the Department of Comparative Arts College of Literature

She is a member of the English Speaking Society (ESS) at Aoyama Gakuin University and has worked as a weather presenter since her time at the university. In 2018, she joined Fuji Television Network, Inc. as an announcer, and currently hosts various programs such as "Mezamashi TV" as well as "Honmadekka!? TV" and "Music Generation."
Fuji Television Announcers Profile (Tseika Inoue)

Aoyama Gakuin Junior High School 3rd year

Riko Miyamoto

She is a member of the brass band and leads practice as the alto saxophone section leader, aiming for competitions and concerts. She likes accomplishing things together and communicating with people, and feels joy when sharing fun things and smiling together. In the future, she wants to have a job where she can communicate "something."


Aoyama Gakuin Junior High School 3rd year

Yoshida Miku

She is a member of the brass band. She has loved singing since she was a child, and attends a music school where she learns guitar, music theory, songwriting, and composition. Although she has many assignments and sometimes feels down, she practices hard, feeling happy when people listen to her songs. Her dream is to become a singer-songwriter.

TALK THEME

1st TALK

"In my work to communicate
What is important to you?”

"I instantly used my imagination to
It can hurt anyone in any position.
There are no words
Please think about what you think and then comment.
I try to make it come out.”

I am working hard in the brass band club and plan to continue with music in high school by joining the brass band club. I like to convey "something," including music, so I am also interested in the job of an announcer. Why did you want to become an announcer?

Miyamoto:

Inoue:

The reason I decided to become an announcer was because of an encounter I had at Aoyama Gakuin University. I had a vague admiration for the announcers I saw on TV, but I was originally a shy and timid person, so I thought it was a profession in a different world from me. However, when I went on to Aogaku, a senior who I became close with became an announcer for TBS, and I myself had the opportunity to appear on TV while I was still a student, and through various connections, I got closer and closer to this industry. What finally made me decide to become an announcer was when I participated in an internship as an announcer during my job search. I was full of anxiety at the camera test, but I had a lot of fun, and I still remember going home with a smile on my face. That was the trigger for me to think, "It would be fun if I could become an announcer."

My dream is to become a singer-songwriter. I think announcers and singers have one thing in common, that they both have jobs that involve standing in front of people and communicating with them. What do you value?

Yoshida:

Inoue:

When I make comments, I try to choose honest words that are as close to how I feel as possible. The information program "Mezamashi TV" covers a wide range of topics, so the time given to comment is sometimes as short as less than 10 seconds. I have had many experiences where I was unable to express my thoughts well and felt frustrated, thinking, "I wish I had said it this way!" I have made an effort to increase my vocabulary, and I think I have finally become a little better at choosing words that perfectly match my feelings recently.
Another thing is that I try to choose words that will not offend viewers from various positions. For example, if I say, "This is good, isn't it?", those who don't think so might feel bad. I think that people feel differently about the same thing, so I instantly use my imagination to think about what words I can use in that situation that won't offend anyone, no matter what position they're in. I try to think about this before I comment. It's very difficult, and I'm still not good at it.
Even though I approach my work every day with this mindset, I can't directly see the reactions of the viewers on the other side of the TV screen, so I worry about whether my true intentions are being properly conveyed. That's why, when I hear even one comment like, "Your words saved me," or "I was in a difficult situation at the time, but they gave me so much energy," I realize that I was able to help change the viewers' feelings in a more positive direction, even if just a little, and I think, "I'm glad I became an announcer."

When deciding on the music to be performed or the direction of the concert band at a meeting, there are times when opinions clash and it takes several minutes to reach a decision. When you are a TV show host, there are times when the conversation does not go in the direction you expected. How do you deal with this?

Miyamoto:

Inoue:

In club activities, everyone is the same age, so it's hard to keep them together. It may be a little different from my situation, but for example, in variety shows, the performers try to make the show more fun and exciting, so the topic can go off track. You have to get the conversation back on track, but if you're too forceful, it can seem like you can't read the mood. So I ask a slightly different question to take a half step back, and then I try to gradually move the conversation back to the original topic.

I get nervous during live performances and sometimes I can't sing the way I want to. Live broadcasts are a one-off, so I imagine there will be a lot of tension and pressure, but is there anything you keep in mind to give your all during a live performance?

Yoshida:

Inoue:

My senior announcers often say, "Even if you prepare thoroughly, you can only deliver 20% of your potential during the actual show," and when I think that if I don't prepare well, I might not be able to deliver even that 20%, I feel it's important to prepare until you're satisfied with your performance.
Also, the way I deal with nervousness, which I've been practicing ever since I took the job interview, is to tell myself with a strong feeling, "I'm the best out of all of you!" You're free to keep it to yourself, and it's simple but surprisingly effective. Even after many years as an announcer, I still get nervous and intimidated when I have to work with people who are considered big names in the entertainment industry and other fields, but I keep that feeling in the back of my mind as a "talisman" when I go on stage. For Yoshida, if you have a big heart and think of yourself as a star, it might be a talisman for you.

Is there any way you can change your mood so that you can keep smiling even when you're feeling down or going through a difficult time?

Miyamoto:

Inoue:

Surprisingly, that doesn't happen (laughs). When I wake up, I wash my face, brush my teeth, drink coffee, practice my voice... and as I go through my morning routine, my mood naturally changes. Also, the Mezamashi TV studio is fun, so I often find myself getting more and more energetic as I work. Talking to people helps me forget about the things I don't like and makes me feel a little more positive, so I think relationships with the people around me are important.


2nd TALK

"During my university days
What should I keep in mind?”

"If you try, it will be done. If you don't try, it won't be done."
The important thing is to try, even if you fail."

What kind of studies did you do at Department of Comparative Arts in College of Literature?

Yoshida:

Inoue:

I really enjoyed studying in Department of Comparative Arts. In my first and second years, I studied the three fields of "art," "music," and "theater and video" in a mutually interrelated way, and I had many opportunities to actively experience live art such as art exhibitions, concerts, and performances, which greatly broadened my range of interests. I originally entered Department of Comparative Arts because I was interested in theater, but I fell in love with art through my classes, and in the end, in my third year, I chose to take a seminar taught by Professor Mizuno Chie, who specializes in Western art. Whenever one of the students in the seminar said, "I want to go to this exhibition," Professor Mizuno would make it happen as a seminar activity, and we had many opportunities to go outside the school. I still love art, and my dream is to one day be an audio guide for an art exhibition.

It sounds fun! I've been talking with my family about what department I should go to in college, but right now I still feel like I don't know.

Miyamoto:

Inoue:

Rather than thinking about the future benefits of your department, I think it's better to think about whether you can do what you like. Looking at my friends, I got the impression that people who went in a direction they didn't like had a hard time. It's better to choose classes that you honestly like and that you're interested in, because you'll be able to approach them more positively.

When you were a student, was there anything you consciously did with a view to your future?

Yoshida:

Inoue:

Being an only child from Fukuoka Prefecture, my parents told me to come back home after graduating, so I went to Aoyama Gakuin University in Tokyo. So I decided to spend my four years at university doing things that I could only do in Tokyo, and I think it was the period of my life where I took the boldest plunge, cherishing the connections I made, including big events at the Aoyama Festival and working as a newscaster. I think Yoshida and Miyamoto will both find that if they try a variety of things, the path will open up for them.

I would like to study abroad someday. Do you feel that English is important in your job as an announcer?

Miyamoto:

Inoue:

There are jobs that only announcers who can speak English can handle, so I think it's better to be able to speak English. I was a member of ESS during my university days, but I don't speak English at a level that would be acceptable for an announcer. I thought about studying abroad while I was in school to improve my English, but I got a job in television and had to balance my studies with my studies, so I missed the chance. I was jealous of my friends who went abroad to study. I wish I had studied abroad, even if it was just for a short time, while I was in school, so I hope Miyamoto will give it a try.

What words are important to you to live by?

Yoshida:

Inoue:

"If you try, you can do it. If you don't try, you can't do it." I was scared to even move to Tokyo from Fukuoka, but after entering university, I tried various things. These words pushed me to take a step into a new world, and that's why I'm who I am today. When I think about it, I think it's important to try things even if you fail.


3rd TALK

"The appeal of Aogaku is
What kind of place is it?」

"We are a gathering of people with diverse personalities, and we all respect each other.
Aogaku is a place where you can be yourself."

Yoshida:

What do you think is the appeal of Aogaku?

Aoyama Gakuin University has a very comfortable atmosphere where people with unique personalities gather from various regions and respect each other, and I had the best college life. Everyone I met at university was kind and I didn't get homesick. I don't think I was ever denied anything. I guess Aogaku is a place where you can be yourself. Even when I couldn't attend classes because of my announcer exam or work, all the teachers supported me. Also, I was in a small school up until high school and had limited personal relationships, so I think that if I hadn't had the experience of meeting diverse people and learning about the wider world at Aogaku, it would have been difficult to do the job I do now, where I meet and talk to various people.
I only know about Aogaku University, but are there any similarities between the university and the junior high school?

Inoue:

Yoshida:

Everyone here is free to do what they want, be it sports, studying, music, etc.

Miyamoto:

I entered Aogaku from the junior high school division, and was very nervous when I first started because I didn't know anyone, but everyone was friendly and we quickly became friends.

I see. I was surprised at how easily I fit in at Aogaku. In particular, Department of Comparative Arts has a small number of students, even among College of Literature, so it felt like we were all friends, like in a middle or high school class. I was born in April, and even though it had only been three weeks since I started university, when I entered the classroom, my classmates celebrated my birthday. I was really touched by this. They said, "This is the start of a wonderful university life!" (laughs).
I am still good friends with my friends from college. I appear on an early morning news program, so I go to bed at 9 p.m. at the latest and wake up at 1:30 a.m. My friends are also busy working in society, but I am very grateful that they take half a day off to meet me and adjust their schedules to meet me.

Inoue:

Yoshida:

In the middle school, teachers often tell students to "develop their own talents (the gifts and talents that God has given to each individual)." In this relaxed environment, students can balance their studies and music with peace of mind.

I think that in junior high and high school, Aogaku often spend their time within the school's discipline, but I envy the fact that Aoyama Gakuin encourages individual growth already in the junior high school division. I think it can be quite difficult to develop self-esteem and talents as an adult. If you work hard and pursue what you like while you are still growing, I think you will be able to live a fulfilling life based on that axis even when you become a grandmother.

Inoue:

Miyamoto:

Do you have any advice for us as we move on to high school and college?

I feel that work is an extension of what you like. It's wonderful that you can now be passionate about what you like and be in an environment where you can develop your individuality. I think that Aogaku 's high school division will allow you to push that even further. If you broaden the scope of what you like in college, it will definitely be useful when you become a working adult and your life will be richer. There are many systems at the university, such as attending classes a lot, traveling, participating in club activities, and trying things that interest you, gaining a lot of experience, and expanding the range of things that you find fun, which may broaden your options for the future. Be greedy and spend your time without regrets.

Inoue:

Miyamoto:

Yoshida:

Thank you for today.

After Interview

What hints did the two of them get from Inoue's story about finding and realizing their dreams?

I want to take on many challenges without being afraid of failure.

I used to get nervous during solos at concerts and other events and worry about not being able to perform as I had practiced, so after listening to Inoue's talk, I realized that it is only by preparing and practicing a lot that you can gain confidence and overcome your nervousness. Until now, I have often avoided or not done things I am not good at, but I realized that in order to find my dreams, it is important to first have the spirit to challenge myself. Because I am in an environment like Aoyama where we respect each other and are free to develop our individuality, I want to experience many things without the fear of failure and find what I like and am good at. (Miyamoto)


Before the performance, I want to remember, "I am number one"

I was impressed by the talk about how creating a routine allows you to naturally switch to a different mood no matter what, and I realized that building up a routine is important. Inoue also said that it's important to prepare a lot and do the best you can now, and then go into the performance thinking, "I'm number one." I'd like to remember these words when I get nervous before a performance. I learned the importance of pursuing what you love, trying out all sorts of exciting things with the mindset of "if you try, you can do it, if you don't try, you can do anything," and the importance of relationships with people. I too would like to cherish the connections with the people around me. (Yoshida)


*Information current as of the time of interview (March 2024).

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